There is a slough of lit events coming up involving or related to really cool music peoples. Not all are necessary punk rock, but it's a catchy title, innit?
Saturday November 21st - How Many Fingers Am I Holding Up book release at Quimby's.
Andy Slater, more well-known as Velcro Lewis, is a highly respected and recognizable musician in Chicago. I've seen him perform only once, as lead singer for the funky and psychedelic Velcro Lewis Group, but there was that one time he did a karaoke version of STP's 'Plush' at Cafe Mustache. Now the legally-blind musician has drafted Steve Krakow to draft a graphic novel about Lewis' experiences with visual impairment. Lewis will read from the book, share stories, and do a Q&A. Free, all ages, 7 PM, Quimby's 1854 W North Ave; for more info on the band go to Velcro Lewis Group's website.
Sunday November 29th - Empty Bottle Book Club: Hunger Makes Me A Modern Girl
You don't need me to tell you who Carrie Brownstein is. If for some reason you've made your way to this blog and have never listened to Sleater-Kinney or Wild Flag, or have never seen Portlandia, then do those things now. Brownstein's new memoir has already received high praise and I can't wait to get my hands on it. Free, 21+, 4:30 PM, Empty Bottle 1035 N Western Ave.
Thursday December 3rd - My Kind of Sound: The Secret History of Chicago Music Compendium release party
Speaking of Steve Krakow and speaking of the Empty Bottle, Krakow has his own release show at this swell swill of a venue. You've no doubt seen his illustrations about little known bands in the Chicago Reader. Krakow's dedication to uncovering tunes that time and dirt have piled on top of is impressive and inspiring to every writer no one's read and musician no one's heard of. The compendium finds a home for 200 such columns. $8 or free w/RSVP, 21+, 9 PM, Empty Bottle, 1035 N Western Ave. Bobby Conn, ONO, Athanor, and VCSR perform.
Saturday December 12th - Joe Carducci and Spot of SST in Conversation
Black Flag, Minutemen, Meat Puppets, Husker Du. All are canon when it comes to punk rock and you'd have no idea who they were if it weren't for these two guys. Carducci, co-owner of SST, and Spot, the label's house producer, both have books out. This afternoon, they'll read a bit from their respective works, interview each other, answer questions, "and lie only when absolutely necessary." Oh yeah, ONO, as you may recall, released their first two albums on Thermidor, also ran by Carducci. The more you know. Free, all ages, 3 PM, Permanent Records, 1914 W Chicago Ave.
Alrighty, now that you know what to do, go on and get out there. This is all assuming you've already read new books by Patti Smith and Richard Hell, right RIGHT ?!
Showing posts with label velcro lewis. Show all posts
Showing posts with label velcro lewis. Show all posts
11.19.2015
7.22.2015
Pitchfork Music Festival 2015
The following is a bit of notes I took on Saturday afternoon. An existential/Wallace Shawn style exploration on identity and creation.
Attention. That's what's on my mind right now, sitting in the grass in Union Park at the Pitchfork Music Festival. What am I here to devote my attention to? How do I decide how to use my attention? Is attention the most important thing at an environment like this? Or is it best to have divided attention?
Are we here for art or diversion? Or other? (commerce)
Bully from Nashville starts. I'm still sitting. There's a decent crowd for the early side of the day on the smaller stage. Various forms of attention are around me. People totally focused, me with divided attention, as my attention is primarily on my thoughts. But I'm also processing the music.
If what and how we consume is dictated by marketing, is what and how we create also a product of that same marketing? Does the "I" ever have a say in creation? Is creation just an expression of consumption?, ie, what am I doing here? Is there an "I" here? Or is my "I" just someone else's creations that I've consumed? And if I've never decided what I've consumed, then how can I say I've created anything? And what have I consumed to have made me think these thoughts?
So why am I here? What's the difference between habit and ritual? There's supposed to be something sacred about ritual, right? (I may just be thinking that because a church is looking down at me) But what if you hold nothing sacred? Can that be true though, literature, the Clash, the simple act of helping someone up off the ground.
Attention. That's what's on my mind right now, sitting in the grass in Union Park at the Pitchfork Music Festival. What am I here to devote my attention to? How do I decide how to use my attention? Is attention the most important thing at an environment like this? Or is it best to have divided attention?
Are we here for art or diversion? Or other? (commerce)
Bully from Nashville starts. I'm still sitting. There's a decent crowd for the early side of the day on the smaller stage. Various forms of attention are around me. People totally focused, me with divided attention, as my attention is primarily on my thoughts. But I'm also processing the music.
If what and how we consume is dictated by marketing, is what and how we create also a product of that same marketing? Does the "I" ever have a say in creation? Is creation just an expression of consumption?, ie, what am I doing here? Is there an "I" here? Or is my "I" just someone else's creations that I've consumed? And if I've never decided what I've consumed, then how can I say I've created anything? And what have I consumed to have made me think these thoughts?
So why am I here? What's the difference between habit and ritual? There's supposed to be something sacred about ritual, right? (I may just be thinking that because a church is looking down at me) But what if you hold nothing sacred? Can that be true though, literature, the Clash, the simple act of helping someone up off the ground.
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