We hear these phrases:
"Clothes make the man."
"Dress for the job you want, not the job you have."
I think of routines writers have. I forget who, but one writer would wake up every morning, shower, shave, dress, take the elevator down from his apartment building with all the other businessmen, but instead of getting off at the first floor, continue to the basement where he had a desk and a typewriter. For him, writing was like any other job, and required the same routine.
This is where I'm torn. I can appreciate a writing routine, even though I've found it difficult to get into one. I'm just one of those hacks who writes "when I feel like it." When I have a deadline, or when inspiration strikes. Or when I've had too much coffee. Or alcohol.
It's work, but it's not "work" for me. Maybe because I have other committments and a varied schedule that comes with waiting tables and a penchant for exploring nightlife (i.e., I like to get drunk at the Empty Bottle). But it's hard for me to say "I can wake up at 8 am, shower, eat breakfast and write and write and write til 5," if for no other fact than that I go to "work" before 5 PM.
Maybe it's because I'm unfocused in my writing. I do critical pieces or profiles for Frontier Psychiatrist, while also exploring my mind on this blog, while also working on fiction. While at the same time, some days I just want to read a book. Should I focus more on reading on give up on writing for a bit then come back to it? Do I need to go to such extremes?
Can how I dress really affect my mindset? I'm in my pajamas right now, with a t-shirt and hoodie on. It's comfortable, it's forgettable. I will admit that sometimes I feel more professional when I have a button-up and jeans on, that I'm in "the right mode" to write. But inspiration will strike regardless of what I'm wearing. Especially when no one besides the cat is going to see me until I go to "work" tonight.
Here's a fact: I've never been paid to write a single thing I've written. Here's another fact: I have shelves of free books, wristbands from free music festivals, gigs of free (legally) downloaded music, and countless handstamps from free shows. I've gotten out of this habit a bit. I like to support artists with what little money I do have and feel better when I pay for where I'm at (except Lollapalooza, fuck that place). I like to think I can keep myself to a strict deadline, even when
there's no real consequences; I like to think I have my atheism to thank
for that.
The point is, If something needs to be written, it will be written. I view blogging as practice. Do musicians get paid every time they practice? Do painters get their money back for acrylic wasted on a canvas with a piece that turned out really shitty? No. So why should I get paid for something I choose to do on my own volition? I will say if I'm asked to write something (that'll be the day), I would expect some compensation. But until then, I don't mind spending my waking, caffeine-addled hours chipping away at the keys of this laptop and converting it all into a magical world of 1s and 0s for your reading pleasure.
Now if you'll excuse me, it's time to go put on some pants.
Here's more routines from famous writers. Surprise, I identify with Miller the most out of these.
Showing posts with label writers. Show all posts
Showing posts with label writers. Show all posts
5.01.2014
3.07.2013
Who Pays Writers?
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| Mark Rothko, Orange and Yellow (1956) |
I keep seeing links to this site popping up in my twitter feed. Who Pays Writers? offers writers a chance to anonymously post what websites pay them for pieces, "intended to be informational, not judgmental." In addition to this, we have two points of view of a person who chooses to write for free and that of one who never does. And at the same time, we have two profiles of a day in the life of a freelance journalist in 2013 as well a day in the life of a digital editor at the Atlantic. Finally, an online conversation has been evolving between various people in charge of writer pay rates at well known websites (the Awl, Boing Boing, the Observer, the Atlantic, etc.) and a general discussion of how much a writer should get paid.
As someone with an interest in writing but with no educational background in any form of it (creative or journalistic), I recognize I am already a step behind every other person I have to compete with in either of these fields. I have few connections to people that can support, cultivate, motivate, edit, whatever to my work. Essentially, this is why I have to write for free. Perhaps it is naive on my part, maybe I really am the greatest fucking writer ever and I'm making a huge mistake by not putting myself out there and depriving the world of my unique perspective and keen social wit. Unfortunately, I have little to no ego, so I'm going to assume this is not the case.
The thing is, I don't really have a problem writing for free right now. I try not to spread myself all over. I could probably have been on a bunch of online publications by now, but I have chosen to stick by a certain few, developing more of a relationship with my editors and fellow writers, instead of jumping from unknown site to unknown site. I think of "Better know nothing than half-know many things" and Badiou's philosophy of commitment and fidelity.
Perhaps I'm also more patient than I realize. I have time to "make it" as a writer. I have time to go back to school to get a graduate degree. For right now I can work a part-time job that allows me to live in a city that I love, to attend cultural events, to work these writing gigs that aren't entirely without their perks, to take time off to travel, to expand my life experiences before I devote myself entirely to the written/typed word.
I'm also allowed more time before the inevitbale reality of repeated rejection. Right now I am a blank slate, free to explore any silly little ideas that creep into my mind, without a history to remain consistent with (not that I have ever worried about that; "with consistency a great soul has simply nothing to do;" not that I believe in a soul; sorry, tangent).
There is no question that we live in a time where there is more written content than ever before, more writers, and more people that think they're writers. I am currently reading A Tale for the Time Being by Ruth Ozeki, and she quotes Milan Kundera from Book of Laughter and Forgetting (1980): "Once the writer in every individual comes to life (and that time isn't far off), we are in for an age of universal deafness and lack of understanding." That was written in Nineteen-Fucking-Eighty. How prophetic. I want to attain that ability to be so perceptive. Which is part of why I continue to read more than I write. Essentially, I only write in order to read more. Which is why I propose this: somebody pay me to read. It would be much more preferable to writing. I wouldn't have to get into that whole messy business of revealing who I am to the world, exposing my innermost skeletons and shedding light on the darkness that the world inevitably creates in every single human being. I could just read! I wouldn't even need to be paid that much. So let's stop worrying about how much to pay you writers and start worrying how much to pay me, your reader.
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